I would like to get up.
Obviously, I’m never getting up.
I would like to get up.
Obviously, I’m never getting up.
Do you enjoy witch horror? Then may I recommend Baghead, a simple enough film that is well shot, produced, w/ an interesting villain. It overrelies on cinematography and music to scare, but I looked past that b/c my imagination kept filling in holes left by the movie, esp. about the villain.
Now, is the movie good because it kept me thinking about it or bad...
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Do you enjoy movies that promise something creepy but then devolve into a mundane family drama narrated by someone unseen about events in the past that are nothing to do with the current plot? Then may I recommend How to Save Us, which starts well but then spirals into super dumb.
I suppose I should have stopped watching when the main character’s super weapon to...
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Do you enjoy inappropriately titled good thrillers? Then may I recommend Knucleball, which has nothing whatever to do with baseball and everything with an isolated farm in winter. I watched it kind of at random and was pulled in despite the fact that a child is the lead (usually not much for such things). Fortunately, that it’s a child isn’t as important to the story,
Do you enjoy beautiful, brutal, gorgeous, intense, dreamy, real, fantastic action in a well-executed movie? Then may I recommend Ballerina, which has the best cinematography, simplest touching sometimes heart-wrenching story around efficient choreography with shots that are actual art.
And also a message that, no, this is not, in fact, an overreaction. You deserve it—and more.
Do you enjoy big budget remakes of mediocre originals—neither of which turned out good? Then may I recommend Wages of Fear (2024), a movie about tension that lacks tension. Worse, there were no characters, only actors reading a perfunctory script. A much better (cliched) ending than original though, but that’s really not saying much.
After seeing Wages of Fear (1953), Sorcerer, and Wages of Fear...
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