PRISON BREAK 2.16: "Chicago"
PRISON BREAK
Season 2, Episode 16: "Chicago"
Whatever else might have happened in the middle of the season, when the writers seemed to be struggling for direction, the episodes have taken a much stronger turn as the season winds down. Even this installment, which is largely transitional in nature, sets the stage for a lot of interesting and unexpected interactions. Some predictable elements remain, but they are given weight by strong performances.
First and foremost, we now see how the writers intend to bring all the various subplots with the rest of the Escape Squad into the main arc. As the conspiracy feels the noose around its own neck, it wants as much closure and control as possible. That means the elimination of loose ends, and Mahone is charged with the task of taking down the survivors while other avenues are explored with Michael and Lincoln.
That adds a new dimension to Bellick's plot thread. Instead of sending him after Michael and Lincoln from the get-go, he's sent after the rest of the Escape Squad. This gives him a taste of his new position and the bloody work he will be asked to do. This also provides a simple means for each and every subplot to find resolution before the end. They may be distractions, but it gives the writers time to play out the main plot thread for a few episodes before focusing on the big resolution.
This is Haywire's final moment, and while the subplot itself was threadbare and unsatisfying, it does serve to put more pressure on Mahone. One would expect that the next three episodes (17-19) will deal with C-Note, T-Bag, and Sucre, probably in that order. Which leave three episodes for the resolution of the conspiracy, and frankly, I like that idea. It worked well for the first season, where they played out the big finale over more than one episode.
This being a transitional episode, the focus is on character. As anticipated, Sara's reaction to Kellerman was violent and a trigger for his potential return to the conspiracy's fold. This led to Sara's reflection on how much had changed in her life in less than a month. It really does bring a lot into focus, and Michael's expression is a nice reaction and recognition of the consequences of his actions. Once again, this adds to the potential of a third season focused on Michael's attempt to repair all the consequences of his original scheme.
A lot of fans had predicted that Kellerman would cut a deal with the President and turn on Michael and the others. And in fact, that expectation was used to deliver a clever twist. It makes sense that William Kim would use Kellerman's relationship to the president as leverage, on the hopes that desperation will overcome paranoia. It has now backfired, and while Kellerman is still far from trustworthy, he's definitely invested in taking down the conspiracy and getting his life back.
While the writers are starting to pull the subplots into the big picture, there's still a lot of time needed to lay the groundwork for each confrontation. As such, a lot of screen time is devoted to C-Note and T-Bag. Both subplots seem a bit scattered and disjointed. C-Note is suddenly dealing with his daughter's illness again, which seems designed to add drama to the unlikely holdup at the diner. The only benefit to that subplot was the confirmation of C-Note's heroic side, which should add to the tragedy when all is said and done. C-Note has gotten a raw deal from the very beginning, and it doesn't look like things will change.
T-Bag's subplot is even worse. As delightful a character as Teddy might be, the last few episodes have been a mess. This hostage situation is ridiculous, and feels more like one of the half-baked ideas from "Desperate Housewives" than a story worthy of T-Bag's depravity. It's hard to imagine that this character might end on a low note. Of course, with T-Bag, things can always change on a dime, so there is hope.
Writing: 2/2
Acting: 2/2
Direction: 2/2
Style: 1/4
Final Rating: 7/10
PRISON BREAK
Season 2, Episode 16: "Chicago"
Whatever else might have happened in the middle of the season, when the writers seemed to be struggling for direction, the episodes have taken a much stronger turn as the season winds down. Even this installment, which is largely transitional in nature, sets the stage for a lot of interesting and unexpected interactions. Some predictable elements remain, but they are given weight by strong performances.
First and foremost, we now see how the writers intend to bring all the various subplots with the rest of the Escape Squad into the main arc. As the conspiracy feels the noose around its own neck, it wants as much closure and control as possible. That means the elimination of loose ends, and Mahone is charged with the task of taking down the survivors while other avenues are explored with Michael and Lincoln.
That adds a new dimension to Bellick's plot thread. Instead of sending him after Michael and Lincoln from the get-go, he's sent after the rest of the Escape Squad. This gives him a taste of his new position and the bloody work he will be asked to do. This also provides a simple means for each and every subplot to find resolution before the end. They may be distractions, but it gives the writers time to play out the main plot thread for a few episodes before focusing on the big resolution.
This is Haywire's final moment, and while the subplot itself was threadbare and unsatisfying, it does serve to put more pressure on Mahone. One would expect that the next three episodes (17-19) will deal with C-Note, T-Bag, and Sucre, probably in that order. Which leave three episodes for the resolution of the conspiracy, and frankly, I like that idea. It worked well for the first season, where they played out the big finale over more than one episode.
This being a transitional episode, the focus is on character. As anticipated, Sara's reaction to Kellerman was violent and a trigger for his potential return to the conspiracy's fold. This led to Sara's reflection on how much had changed in her life in less than a month. It really does bring a lot into focus, and Michael's expression is a nice reaction and recognition of the consequences of his actions. Once again, this adds to the potential of a third season focused on Michael's attempt to repair all the consequences of his original scheme.
A lot of fans had predicted that Kellerman would cut a deal with the President and turn on Michael and the others. And in fact, that expectation was used to deliver a clever twist. It makes sense that William Kim would use Kellerman's relationship to the president as leverage, on the hopes that desperation will overcome paranoia. It has now backfired, and while Kellerman is still far from trustworthy, he's definitely invested in taking down the conspiracy and getting his life back.
While the writers are starting to pull the subplots into the big picture, there's still a lot of time needed to lay the groundwork for each confrontation. As such, a lot of screen time is devoted to C-Note and T-Bag. Both subplots seem a bit scattered and disjointed. C-Note is suddenly dealing with his daughter's illness again, which seems designed to add drama to the unlikely holdup at the diner. The only benefit to that subplot was the confirmation of C-Note's heroic side, which should add to the tragedy when all is said and done. C-Note has gotten a raw deal from the very beginning, and it doesn't look like things will change.
T-Bag's subplot is even worse. As delightful a character as Teddy might be, the last few episodes have been a mess. This hostage situation is ridiculous, and feels more like one of the half-baked ideas from "Desperate Housewives" than a story worthy of T-Bag's depravity. It's hard to imagine that this character might end on a low note. Of course, with T-Bag, things can always change on a dime, so there is hope.
Writing: 2/2
Acting: 2/2
Direction: 2/2
Style: 1/4
Final Rating: 7/10