People like Picasso's Blue.
Too many skies to simply say
Unique. The bull has been fought,
Then we dine. Pass a plate
Of leather. Down to grass
With suade-like speed, soft
And rough; slowly-colored
Bone and cheek. Are you
Embarrassed? I'm not shy. I
Sing too much, enact a parade
Of violin onto rib. I'm looking
For one that was stolen
From Man the Father drugged.
Slip into rug like a creeping
Pattern. My heart will be a lantern
To guide you into sleep. (You're
A sweet one. Kissing the crow
On sweep of feathers, it's head.
You're the bride I fed
Or feed
To ink with teeth
When it's starving.)
improv. 9.50-9.59 pm 03-08-'05
***
Head wound update.
Thick aching sand shifting front to side to side and back with simplest movement.
Big greasy knot and blurry right eye.
Cool wound wanting to be a scar. ("Y"...Ygdrasil(?) Viking? Shellie would know....)
Tylenol. Reiki.
Weaving a bit when walking.
But I'm okay.
Thanks.
***
Reading: Idoru- William Gibson.
Rain Mirror- Michael McClure
Fear of Dreaming- Jim Carroll
***
Browsing local gallery sites. Kiang Gallery and Solomon projects will get slides soon.
The more minimal, austere abstractions would look good at Kiang, especially 'heavensgraveyard'...when they're done.
They might like 'Gothic Camoflauge' as well. Good traffic. Exclusive location. Big money at Kiang.
I think Solomon would like "G-C". They represent Jerald Leans, and our work comes from a similar place, but certainly visually distinct from one anothers'. I 'd love to have a co-show with him. Thing about Solomon is, they would take the representational work as well, where Kiang is more geared toward the abstract. Solomon also pushes your work world-wide, hooking you up with various big collections, museums and biennales.
My 'Gothic Camoflauge' series was $1800.00 for a 50x60 canvas, privately. Good sales, actually.
Easily three times that much in a high end gallery. Or more.
Last show I was in was an art auction at a benefit for an AIDS charity.
God, that was in, I guess, '94.
I've spent the last 10 years writing. Some publishing credits, so that's good.
It's all here, it's just unfurling in it's own time.
namaste
rain
*
ps...god, that all sounded so morose...
Here's a joke:
What do you call a parasite on the moon?
A "lunar-tick"!!!!!
bu-dup-CHEE!!!!
smooches
r.
Too many skies to simply say
Unique. The bull has been fought,
Then we dine. Pass a plate
Of leather. Down to grass
With suade-like speed, soft
And rough; slowly-colored
Bone and cheek. Are you
Embarrassed? I'm not shy. I
Sing too much, enact a parade
Of violin onto rib. I'm looking
For one that was stolen
From Man the Father drugged.
Slip into rug like a creeping
Pattern. My heart will be a lantern
To guide you into sleep. (You're
A sweet one. Kissing the crow
On sweep of feathers, it's head.
You're the bride I fed
Or feed
To ink with teeth
When it's starving.)
improv. 9.50-9.59 pm 03-08-'05
***
Head wound update.
Thick aching sand shifting front to side to side and back with simplest movement.
Big greasy knot and blurry right eye.
Cool wound wanting to be a scar. ("Y"...Ygdrasil(?) Viking? Shellie would know....)
Tylenol. Reiki.
Weaving a bit when walking.
But I'm okay.
Thanks.
***
Reading: Idoru- William Gibson.
Rain Mirror- Michael McClure
Fear of Dreaming- Jim Carroll
***
Browsing local gallery sites. Kiang Gallery and Solomon projects will get slides soon.
The more minimal, austere abstractions would look good at Kiang, especially 'heavensgraveyard'...when they're done.
They might like 'Gothic Camoflauge' as well. Good traffic. Exclusive location. Big money at Kiang.
I think Solomon would like "G-C". They represent Jerald Leans, and our work comes from a similar place, but certainly visually distinct from one anothers'. I 'd love to have a co-show with him. Thing about Solomon is, they would take the representational work as well, where Kiang is more geared toward the abstract. Solomon also pushes your work world-wide, hooking you up with various big collections, museums and biennales.
My 'Gothic Camoflauge' series was $1800.00 for a 50x60 canvas, privately. Good sales, actually.
Easily three times that much in a high end gallery. Or more.
Last show I was in was an art auction at a benefit for an AIDS charity.
God, that was in, I guess, '94.
I've spent the last 10 years writing. Some publishing credits, so that's good.
It's all here, it's just unfurling in it's own time.
namaste
rain
*
ps...god, that all sounded so morose...
Here's a joke:
What do you call a parasite on the moon?
A "lunar-tick"!!!!!
bu-dup-CHEE!!!!
smooches
r.
And haha, thanks for holding my purse
Where have you been published? I'm not a writer myself (I'm a musician) but a friend of mine is recently published as a poet (small periodicals) and another just wrote and had published his first novel. Far too daunting for me!