duplicate entry
duplicate entry
America the Beautiful
It's for all the men in all the concentration camps--excuse me, "detention centers"--the women of Darfur--the Serbians of Kosovo and the Kosovars of Serbia--a voice for those who cannot speak. What my heart feels after watching F9/11, "Control Room" and the screener of "The Corporation" this week. It's for the bloody capitalists I am working for. It's for a half million dollar...
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It's for all the men in all the concentration camps--excuse me, "detention centers"--the women of Darfur--the Serbians of Kosovo and the Kosovars of Serbia--a voice for those who cannot speak. What my heart feels after watching F9/11, "Control Room" and the screener of "The Corporation" this week. It's for the bloody capitalists I am working for. It's for a half million dollar...
Read More
VIEW 18 of 18 COMMENTS
luckyp:
Yes! Nelly boys = nancy boys!
--l*P
--l*P
elicit77:
Thanks for the info in the codemonkey group. I'm waiting for DoD to try to backdoor me again. This seems to be a regular occurance, in the beginning of the month. I do, however, live right in the capital of California, I could practically peak my head out the window and spit on the capital. There are a lot of government buildings here, maybe, somehow there is a mix-up or maybe I've associated with the wrong computer geeks and now I've been added to the watch list, j/k.
I doubt DoD's got a watch list, I hope.
For all those beaten, for the broken heads,
The fosterless, the simple, the oppressed,
The ghosts in the burning city of our time
For those taken in rapid cars to the house and beaten
By the skillful boys with the rubber fists,
-Held down and beaten, the table cutting the loins
Or kicked in the groin and left, with the muscles jerking
Like a headless...
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The fosterless, the simple, the oppressed,
The ghosts in the burning city of our time
For those taken in rapid cars to the house and beaten
By the skillful boys with the rubber fists,
-Held down and beaten, the table cutting the loins
Or kicked in the groin and left, with the muscles jerking
Like a headless...
Read More
VIEW 6 of 6 COMMENTS
dropdeadred:
wow that was intense
lufy:
Is there, uh, something going on at home that we should all know about?
Bad day at work?
IV
A vital element in keeping the peace is our military establishment. Our arms must be mighty, ready for instant action, so that no potential aggressor may be tempted to risk his own destruction.
Our military organization today bears little relation to that known by any of my predecessors in peace time, or indeed by the fighting men of World War II or Korea.
Until...
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A vital element in keeping the peace is our military establishment. Our arms must be mighty, ready for instant action, so that no potential aggressor may be tempted to risk his own destruction.
Our military organization today bears little relation to that known by any of my predecessors in peace time, or indeed by the fighting men of World War II or Korea.
Until...
Read More
VIEW 11 of 11 COMMENTS
a2_stud:
Oh yeah one further point I didin't mention in my absurdly long post in your journal LOL: the Lonergans were on a reef less than two miles (3km) from a permanent pontoon with a divemaster on duty. Given their excellent health and swimming ability and the good weather its very odd that they couldn't swim to shore. Also a number of boats were in the area where they were "lost" and reported that it was dead calm... yet no cry for help was heard and they were not seen. Even odder that no bodies were ever found.
junecleavage:
your journal entry makes my head hurt...
Well as for who may have caused edits in F9/11:
"I hired the toughest team of fact checkers I could find, lawyers
and head counsel from The New Yorker," Harvey Weinstein said
in an e-mail response to questions from The Associated Press. "
We invited them to be tough -- and they were. All journalism should
be this careful."
http://www.nynewsday.com/entertainment/sns-ap-film-michael-moore-critics,0,287950.story?coll=nyc-ent-topheadlines-left
I know from experience that...
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"I hired the toughest team of fact checkers I could find, lawyers
and head counsel from The New Yorker," Harvey Weinstein said
in an e-mail response to questions from The Associated Press. "
We invited them to be tough -- and they were. All journalism should
be this careful."
http://www.nynewsday.com/entertainment/sns-ap-film-michael-moore-critics,0,287950.story?coll=nyc-ent-topheadlines-left
I know from experience that...
Read More
VIEW 5 of 5 COMMENTS
mikael:
you wrote, "This is the media fulfilling its hegemonistic function as "gatekeepers" keeping people from being exposed to the news that advertisers or the military-industrial complex don't want them to hear."
So what could the alternative be? A non-profit news agency! I usually take most of what NPR and PBS reports as gospel, only because it's harder to hype things if you have brains and no budget. Of course, some still regard those forums as "the biased liberal media". hogwash.
Thanks for a good read, even though I 'spect you're preachin' to the choir 'round these here parts..
So what could the alternative be? A non-profit news agency! I usually take most of what NPR and PBS reports as gospel, only because it's harder to hype things if you have brains and no budget. Of course, some still regard those forums as "the biased liberal media". hogwash.
Thanks for a good read, even though I 'spect you're preachin' to the choir 'round these here parts..
VIEW 14 of 14 COMMENTS
starknaked:
heheh...i have no idea what all that means but you have given me yet another reason to open up my favourite book..the dictionary.
interpretation coming soon for the reading impaired (including myself)..
heheh
interpretation coming soon for the reading impaired (including myself)..
heheh
boheme:
I agree with everything in your review, so I won't elucidate your insights but instead raise a couple of questions.
First, I think that one of the topics missing from public discourse on F9/11 -- and I mean the discourse of people in the grassroots who are trying to harness whatever mobilizing power the film has, not the media discourse that interprets and determines public debate, neutralizing mobilization -- is the role of editing in the film, and in polemical media in general.
MM is no Chomsky, Parenti, Spivak, or Ward Churchill, but he proved in Stupid White Men and Bowling for Columbine that he can be exhaustive in his pursuit of answers. There's really no reason why the film -- or Dude, Where is My Country -- shouldn't reveal exactly what Brainless One was doing between storytime and the expeditious routing of the Saudi royal family out of the country. There's no reason, among other things, why MM could not have shown us why Cabinet members knew not to travel on 9/11 and cancelled flights accordingly.
No reason -- except editing. Who edited, and why did MM agree? Here is why people were able to see F9/11 in theaters across the country: choices were made to ensure that the film could be popularized to the extent that airtime and FCC oversight would balance out. Would MM actually compromise in this way? I don't think he would see it as compromise but as populism. He wants the goods delivered to as many people as possible in hopes that it will simulate political saturation against the Bush Administration.
But therein lies the rub -- populism is a diffusive force, not a saturating one. In the end, it distributes itself broadly but thinly because its message isn't radical enough to incite mobilization against ideals of the republic. Instead, it lulls people into a sense of self-determination and democracy, and I don't think a nation in which leaders are not accountable to the people constitutes a democracy but a militaristic republic. If the hardest realities are edited from the discourse of people who are savvy enough to mobilize against them, then the edited vehicle ultimately reinforces inertia.
Which is not to say I wouldn't take F9/11 in whatever shape it's offered. Whatever information makes it through the floodgates needs to be available to the public, and I am grateful for it. It is surprising, however, that MM went for big-impact marketing and distribution for a proportionately low-impact film. Forgive me -- the film is not low-impact in many ways, but in terms of having the potential to be a significant mobilizng force, I don't know.
The lesson of Bowling for Columbine is instructive. It was nearly impossible to see this film when it first came out. I don't think MM edited the hell out of this one. It received limited distribution, and many of us in the backwaters of the country waited patiently to see the film in our queues of future DVD releases on NetFlix.
But the power of the muckraking and exhaustive exposition depicted in this film could not be contained -- once the grassroots sunk its teeth into it, the agitation for broad viewing began, and even liberal Hollywood got into the act. The point here is that MM got away with a lot more in Bowling than in F9/11 -- yet over time the suppressiveness of the glamor media and the FCC could not keep it down. In F9/11, we have a less volatile product and a populist distribuition. The film was not "down" to begin with. The loss of distributor that created a media spectacle a few months ago was compelling but ultimately a canard. F9/11 was cinema-bound whatever Mickey Mouse had in mind.
Which brings me to a second concern, which whether the exuberance that F9/11 has generated in the popular media can be harnessed for social change. I think that as we approach the 2004 electoral college vote, there is a lot of hope in the grassroots that F9/11 can fulfull the populist fantasy of informing popular opinion to the extent that it influences the popular vote. I am cautious about thinking that a debate focused on influencing a "democratic" apparatus can be effective at all. I do believe that the Democrats can win in November. But I'm not all that sure that it takes democratic principles or procedures to do that. I think it may simply be a product of a gradual implosion of the state.
Whoever takes office next year, there will be a strong reinforcement of the state, or what I have called the militaristic republic. I have no doubt that Kerry will be better than Bush, if only in terms of Kerry being able to open his mouth and say something that doesn't sound like it was taken from a linguistic template designed by Kaptain Kangaroo.
Now tying this back to MM, I think that the film has generated a lot of anticipation about our historical "moment," and that some will judge the success of the film by whether Bush is in office next year. I think this would be wrong. The film ascribes to populism, generating somewhat of a democratic fervor. But our polis, unfortunately, has little to do with democracy.
And I say this not in criticism of MM's strategy. The film is superb, and MM is getting the dirt out there in the way he sees he can. I say this because I think we are in ideological crisis, and it's time for people to decide whether they're going to accept a saturation and accompanying watering-down of discourse, or if they're going to face the fact that we can't abide by the same discursive models anymore.
In the meantime, don't you think it's time for Bush to make a trek down the yellow brick road? If he only had a brain. And a heart. And courage. Now that's a junket I can get behind.
[Edited on Jul 01, 2004 8:25PM]
First, I think that one of the topics missing from public discourse on F9/11 -- and I mean the discourse of people in the grassroots who are trying to harness whatever mobilizing power the film has, not the media discourse that interprets and determines public debate, neutralizing mobilization -- is the role of editing in the film, and in polemical media in general.
MM is no Chomsky, Parenti, Spivak, or Ward Churchill, but he proved in Stupid White Men and Bowling for Columbine that he can be exhaustive in his pursuit of answers. There's really no reason why the film -- or Dude, Where is My Country -- shouldn't reveal exactly what Brainless One was doing between storytime and the expeditious routing of the Saudi royal family out of the country. There's no reason, among other things, why MM could not have shown us why Cabinet members knew not to travel on 9/11 and cancelled flights accordingly.
No reason -- except editing. Who edited, and why did MM agree? Here is why people were able to see F9/11 in theaters across the country: choices were made to ensure that the film could be popularized to the extent that airtime and FCC oversight would balance out. Would MM actually compromise in this way? I don't think he would see it as compromise but as populism. He wants the goods delivered to as many people as possible in hopes that it will simulate political saturation against the Bush Administration.
But therein lies the rub -- populism is a diffusive force, not a saturating one. In the end, it distributes itself broadly but thinly because its message isn't radical enough to incite mobilization against ideals of the republic. Instead, it lulls people into a sense of self-determination and democracy, and I don't think a nation in which leaders are not accountable to the people constitutes a democracy but a militaristic republic. If the hardest realities are edited from the discourse of people who are savvy enough to mobilize against them, then the edited vehicle ultimately reinforces inertia.
Which is not to say I wouldn't take F9/11 in whatever shape it's offered. Whatever information makes it through the floodgates needs to be available to the public, and I am grateful for it. It is surprising, however, that MM went for big-impact marketing and distribution for a proportionately low-impact film. Forgive me -- the film is not low-impact in many ways, but in terms of having the potential to be a significant mobilizng force, I don't know.
The lesson of Bowling for Columbine is instructive. It was nearly impossible to see this film when it first came out. I don't think MM edited the hell out of this one. It received limited distribution, and many of us in the backwaters of the country waited patiently to see the film in our queues of future DVD releases on NetFlix.
But the power of the muckraking and exhaustive exposition depicted in this film could not be contained -- once the grassroots sunk its teeth into it, the agitation for broad viewing began, and even liberal Hollywood got into the act. The point here is that MM got away with a lot more in Bowling than in F9/11 -- yet over time the suppressiveness of the glamor media and the FCC could not keep it down. In F9/11, we have a less volatile product and a populist distribuition. The film was not "down" to begin with. The loss of distributor that created a media spectacle a few months ago was compelling but ultimately a canard. F9/11 was cinema-bound whatever Mickey Mouse had in mind.
Which brings me to a second concern, which whether the exuberance that F9/11 has generated in the popular media can be harnessed for social change. I think that as we approach the 2004 electoral college vote, there is a lot of hope in the grassroots that F9/11 can fulfull the populist fantasy of informing popular opinion to the extent that it influences the popular vote. I am cautious about thinking that a debate focused on influencing a "democratic" apparatus can be effective at all. I do believe that the Democrats can win in November. But I'm not all that sure that it takes democratic principles or procedures to do that. I think it may simply be a product of a gradual implosion of the state.
Whoever takes office next year, there will be a strong reinforcement of the state, or what I have called the militaristic republic. I have no doubt that Kerry will be better than Bush, if only in terms of Kerry being able to open his mouth and say something that doesn't sound like it was taken from a linguistic template designed by Kaptain Kangaroo.
Now tying this back to MM, I think that the film has generated a lot of anticipation about our historical "moment," and that some will judge the success of the film by whether Bush is in office next year. I think this would be wrong. The film ascribes to populism, generating somewhat of a democratic fervor. But our polis, unfortunately, has little to do with democracy.
And I say this not in criticism of MM's strategy. The film is superb, and MM is getting the dirt out there in the way he sees he can. I say this because I think we are in ideological crisis, and it's time for people to decide whether they're going to accept a saturation and accompanying watering-down of discourse, or if they're going to face the fact that we can't abide by the same discursive models anymore.
In the meantime, don't you think it's time for Bush to make a trek down the yellow brick road? If he only had a brain. And a heart. And courage. Now that's a junket I can get behind.
[Edited on Jul 01, 2004 8:25PM]
First impressions of Fahrenheit 9/11
Saw F9/11 at the Michigan Theater in Ann Arbor tonight. The Michigan is a beautiful old silent film era movie palace, seating 1700 with not a bad seat in the house (well maybe way up in the make-out rows in the balcony but who cares?). All red plush on the walls and ornate gold-painted trim and an old organ on...
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Saw F9/11 at the Michigan Theater in Ann Arbor tonight. The Michigan is a beautiful old silent film era movie palace, seating 1700 with not a bad seat in the house (well maybe way up in the make-out rows in the balcony but who cares?). All red plush on the walls and ornate gold-painted trim and an old organ on...
Read More
VIEW 20 of 20 COMMENTS
a2_stud:
Going to see "Control Room" tonight at the Michigan. Also just got the screener for "Corporation" today in the mail (legit, for a feature for Current -- http://www.eCurrent.com/ ).
[Edited on Jun 30, 2004 5:36PM]
[Edited on Jun 30, 2004 5:36PM]
shawna:
though I agree that that movie has factual inaccuracies, etc., I think what disturbs me most about it is how much MM preaches to the converted.
Aren't we supposed to be trying to change things? How can we get a majority of people to see it our way if they run from the theatre screaming within the first ten minutes?
Aren't we supposed to be trying to change things? How can we get a majority of people to see it our way if they run from the theatre screaming within the first ten minutes?
Hey folks. A bunch of us are getting together Friday (June 25) for the 7pm screening of Fahrenheit 9/11 at the Michigan Theatre in Ann Arbor. Drop me a line if you are interested in hooking up.
VIEW 12 of 12 COMMENTS
a2_stud:
SeeCeeMe: I probably found you through looking through 1Aura1's friends list.
cheech:
Yeah, I like when people are "retired," like Cheney isn't "in" Halliburton anymore so there's no conflict of interest (and hey, Justice Antonin Scalia, of the non-partisan Supreme Court, also feels Cheney has no conflicts of interest; who knew??!!)!!
VIEW 7 of 7 COMMENTS
peggy:
Awww.....thanks.
bathory:
wow. thanks so much for the advice. thats EXACTLY what i needed. exactly what i was talking aboot.
thanksthanksthanks
btw...did i ever tell you that your profile picture rocks?
it rocks.
btw...did i ever tell you that your profile picture rocks?
it rocks.
Tripping the light fantastic...
The Sidewalks of New York
Down in front of Casey's
Old brown wooden stoop,
On a summer's evening,
We formed a merry group;
Boys and girls together,
We would sing and waltz,
While the "ginnie" played the organ
On the Sidewalks of New York.
East side, west side,
All around the town,
The tots sang "Ring-a-Rosie,"
"London Bridge is Falling Down."...
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The Sidewalks of New York
Down in front of Casey's
Old brown wooden stoop,
On a summer's evening,
We formed a merry group;
Boys and girls together,
We would sing and waltz,
While the "ginnie" played the organ
On the Sidewalks of New York.
East side, west side,
All around the town,
The tots sang "Ring-a-Rosie,"
"London Bridge is Falling Down."...
Read More
dropdeadred:
Very nice. I can guarantee no one has written a song that nice about Philadelphia. If the have, they don't live in my neighborhood.
luckyp:
Lovely song. Made me smile; thanks!
--l*P
--l*P
Anthem for Doomed Youth
What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells,
Nor any voice of mourning save the choirs,--
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles...
Read More
What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells,
Nor any voice of mourning save the choirs,--
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles...
Read More
VIEW 3 of 3 COMMENTS
boheme:
That Lord Brunton is a crazy mofo.
a2_stud:
Yeah, it doesn't make any sense. How do you walk on barbed wire fences. LoL. (This is referring to something I posted in Boheme's journal entry about barbed wire).
[Edited on Jun 21, 2004 9:37PM]
[Edited on Jun 21, 2004 9:37PM]

