cheech:
DAEVIE ALLEN = BONGO PARTY

I ATE A TUB OF CHOCOLATE PUDDING ON MONDAY NIGHT
I WONDER HOW MANY CARBS IT HAD ! ?

"HUES OF MELANIN" = MAXIMUM R & YODEL ! ! !

naja_haje:
HEY CAN I GET SOMETHING TO WRITE WITH FER CHRISTS SAKE, A BURNT STICK PERHAPS.

-So why did you throw th trash out on the sidewalk?
-Uhm... we were told by some guy that's where it goes.
-So why isn't in the dumpster.
-I'M NOT RISKING MY LIFE. I COULD GET STABBED.

ring ring
-Hello?
-Uhm yes, I'm in your customer assistance area. I've been waiting for assistance for over five minutes.
-What? Where are you calling?
-IM RIGHT OVER HERE.

The lady was standing five feet from me.
black_tar_heroin:
merry x mas pal
binkymcqueen:

shop shop shop....fucking sheep...oh, wait...I promised to be nice today.....what do you say we go to London for a one off show of the MC5/Sun Ra show....yeah I wish......peace brother
lilmissmorbid:
Hope you had a great Xmas and have a Happy new year.
st_eve_bc:
crunch the snow is harder then stone cobble strewn blocks

painted cable pint pryed open walnut shaped and sized coco beans

wide angle dongle adaptor snakes carry cases crammed with spam

message out
cheech:
I liked disc one of Jose's Garage a lot more than the second. The first one seems to follow story rationally. The second, for starters, starts with in my mind the worse songs (didn't like "Keep It Greasey" on Fishman's Picks CD; that's why I wasn't looking forward to this album. Luckily, that's [easily] one of the worst songs) and a bit too much speculation on prison rape (or "plook" whatever.... hey, Zappa? I love you, but all the cracking up at your own jokes, leave that to Horatio Sanz... and "plook" is not a funny word, sorry).
Anyway, I'd summarize the second disk thusly:
1) prison rape set to bad funk
2) Zappa plays lots of solos (pretty good)
3) Zappa takes a most unfortunate, unnecessary, unfunny stab at rock critics in the middle of a rock opera for no reason (unless he was checking reviews to see if they got all the way through the album [it's safe to say that, by 1979, the ones who didn't like him wouldn't])
4) Zappa plays more solos (some of it great, some of it a bit close to soundtrack-album Knopflerisms for my liking, although I do like Knopfler)
5) they do a song about green rosetta after Zappa gives up on the concept

Having said all that, I like the album. The first disc is very good, the second has some cool solos... I can't get the "Crew Slut" chorus out of my mind... one of my better Xmass presents. I'm still not smokin' Newports, though.
cheech:
ps - Dunno why/ how you stuck Apostrophe in here, too, but cool. Makes it easier to trade in my copy.
lilmissmorbid:
If I dont talk to you before this. Have a Happy New year! And remember:
zenhell:




nebel:
ha!
trixel:
you nailed that one pretty good. I worked retail 12 years. Christmas is like being tossed into some outer ring of hell. *console*

I've not been around either, but more due to the fact that I'm a videogame addict than anything else. tongue

Happy New Year! smile
souljerk:
my my depchmod sensative toe is really close to finding its way into yer arse if you dont make dady happy.
souljerk:
you leave me thirsty very
cheech:
Wow, it's been a while

I'm readin the Barry Miles - Zappa - book. I love the description of the filming of 200 Motels. This is how Zappa recruited Keith Moon for it: 1) at dinner next to Townshend and Moon, 2) leans over and said, "How'd you guys like to be in a film?" 3) Tells them to go to the Kensington Hotel the next day to film.

The old guy from A Hard Day's Night, Wilfred Bramble, was in the film until, after barrages of smut and filthy dialogue, he ran yelling from the set, never to return.